Processing the past through plaid: BRAHM presents ‘Pattern Mapping’ by Andréa Keys Connell - Published November 16, 2025

Installation view, Andréa Keys Connell: Pattern Mapping (June 28 - November 29, 2025), Blowing Rock Art & History Museum. Photo Josh White

Story Written by: Owen Marcellino

Painted in plaid and curated with care, Andréa Keys Connell’s “Pattern Mapping” is a treasury of artistic vision bridging the gap between grief and hope.

The exhibit was unveiled on June 28 in the Rankin West Gallery of the Blowing Rock Art and History Museum, and will be on display until Nov. 29.

Patterns have served as an influence in Connell’s work since her years in graduate school. Although this influence has been both literal and metaphorical, it took on a new medium three years ago when she decided to add plaid to multiple sculptures.

“Plaid itself is one of the most universal patterns in existence — and textiles — and it’s been found on every continent in the world,” Connell said. “It is often used to symbolize, or to cloak, or to warm the bodies of families.”

Surrounded by plaid sculptures, Connell described the connection between sheep and plaid as something so specific, she had to put it everywhere. 

“It’s comforting, it’s protective, it’s warm, it’s of the home, it’s of the body, it’s also oftentimes made from wool, which is of the sheep,” Connell said.